The Power of Fan Films – Part 2

I said there was going to be a second one, didn’t I?

Tie Fighter – short film

Not to be confused with the classic 90s video game of the same name, OtaKing77077’s film is a delight for the game’s fans. But not only is it an homage to the game, it is also an homage to the stylings of 80s anime. Yes, that’s right: it’s a fan made Star Wars anime. And it shows off the might of the Empire in all the right ways. Amusingly, there’s an assault transport in the thumbnail, but not in the actual movie.

I suddenly feel cheated (the assault transport is one of my favorite ship designs from Star Wars: Tie Fighter).

Kara

Kara is in a weird place for me. On the one hand, it has a few noticeable weaknesses, most notably the CGI. Given the prominence of these scenes, it can’t really be given a pass. Also, some of the plot elements (when did those stormtroopers land, why isn’t there a bigger force of Imperials attacking this Rebel base?) feel flimsy. Kara’s strength comes in from the fact that it is short and it is concise. It hits the right beats and pulls the right emotional strings to be a solid film.

Star Wars: Emergence

Strangely, Hoshino was not the only fan film to come out last year featuring a blind Jedi. Mercifully, their plots are very different. Hoshino primarily looks into the past and the “how” of her blinding; who she is today is largely left up to inference. Emergence deals with the present, and how the padawan copes with her sudden disability. This is an exemplary demonstration of the idea of “show, don’t tell” as we embark on a journey not just in the physical world, but through the Force.

It is also worth mentioning the strength of the special effects in this one as well as the original soundtrack.

Jakku: First Wave

The shortest film in my selections, this may also be the most powerful. The stories told within are all encapsulated in the first few seconds: these men are about to die. Everything about First Wave is done perfectly. The acting is solid. The stories plausible. The finer details, such as the background audio of the fighting outside, are all there. And it is all done in three and a half minutes.

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The Power of Fan Films

With the release of “The Empire Strikes Back – Revisited,” I’ve been in a bit of a Star Wars mood. Given that Revisited is a fan project, my mind has lately turned to thinking about other fan projects. The fans are the biggest part of why Star Wars survived its drought years between Episode III and Episode VII.

It was not only fans watching The Clone Wars or Rebels that kept the franchise afloat, however. It was fans creating new things: new stories, new tales, new places, new characters. This zeal is what kept Star Wars alive more than anything.

Now, I want to share some of that creative brilliance with you.

Days Past

Honestly, I actually ran across this film while searching for some of my old favorites. It’s not really much of a surprise I didn’t know about it before, given it came out at the beginning of the month. But I’m glad I found it.

Days Past is a look at the relationship between a teacher and her pupil after the fall of the Republic…but it’s not what you expect. There’s not much more I can say without spoiling the plot. However, I would like to give this film credit for the quality of its set; it looks so authentic. Additionally, the character work is phenomenal, and the actors deserve a great deal of credit for bringing them to life.

DARTH MAUL: Apprentice

One of the big problems with the lightsaber duels in the Prequels is their choreography. Wait, just hear me out for a second! The problem is that the movies are overly focused on being flashy and cool, to the point where the fights are no longer convincing. Now, that’s not to say that this fan film does not do that; it does. I would like to note the one Jedi who flips into a shot for no reason whatsoever. Indeed, the entire point of the film is to be a cool, flashy lightsaber duel between a group of Jedi and Darth Maul.

But there’s something about the way it is handled that feels more…real. Not every strike is well-practiced and coordinated. There isn’t nearly as much pointless posturing between combatants. There’s even a bit of emotional pull (though nothing like Days Past). And if you don’t care about any of that…Darth Maul.

Hoshino

Something I’ve observed is that fan films tend to be much better when they’re shorter. If they go above the twenty minute mark, their quality starts to decline. I presume this is because the limitations inherent in any fan production start to catch up with them. They have all that time to fill, but only one or two writers, a limited number of crew and actors, limited special effects, limited budget…

Hence why films like Hoshino tend to be so good. The actual movie is only six minutes long, but it is so focused that it feels longer. Its characterization is splendid and it tells its tale so effectively. It has very little action…and it does not need it. The characters drive the story and that is wonderful.

TK-436: A Stormtrooper Story

Everyone loves Jedi. They have special powers and laser swords and lots of authority. But Jedi aren’t the only denizens of the galaxy, are they? There are trillions of people in Star Wars; what about their stories? TK-436 tries to tell one of those stories.

Now, I could nitpick the technical details in the special effects. Lasers aren’t always colored correctly, X-Wings flying around with their wings closed…but I would be missing the point, wouldn’t I? No, instead, I’ll just focus on the emotional tale of a stormtrooper forced to confront his past in the middle of a grim battle on a distant world.

I think I’m going to have to make another post. I didn’t talk about nearly all the fan films I wanted to…

What’s the Deal With Star Wars?

Rogue OneA lot of people seem to hate Rogue One. They seem to think that it’s schlock, a shameless, nostalgia-filled cash grab. These people are right, really. Disney has access to an entire franchise and to go back to the time-period from where people derive their fondest memories is transparently about money. They know the emotional pull of the original trilogy for many fans and wish to draw upon that wellspring of good will.

However, just because the detractors are right does not mean that we, the viewing public, are getting the short end. It seems foolish to fault Disney (or any company, for that matter) for trying to make money, particularly with the most lucrative franchise in history. Likewise, complaining about nostalgia when Rogue One is set literally a week before A New Hope is somewhat ridiculous. It would be like setting a movie in World War II and then complaining that it contains Panzers and Adolf Hitler. The setting means that visuals and locations are obviously going to repeat; repetition is not inherently a bad thing.

Rogue One, frankly, is a success by any reasonable standard. It’s a well-paced movie, with emotional pull and excitement. The plot is well-written, avoiding the common pitfall of getting bogged down in any one spot, and feels like a unique tale. The characters are a somewhat weak point, with the heroes, Jyn Erso and Cassian Andor, both falling short of being well-rounded. However, they’re balanced out by a superb supporting cast that has all the heart that they lack.

The movie also contains all of the elements that Star Wars fans had been clamoring for (or at least I have) since Return of the Jedi. Sure, a lot of these, from the diverse backgrounds of the main cast, a lovable (if quirky) droid, and the backdrop of a war between good and evil, are identical to the original trilogy, but that is the Star Wars formula. That is what works. It is little surprise that combining these elements competently managed to make a movie worth watching.

Honestly, Rogue One does many things right which the previous year’s The Force Awakens failed at. Bear in mind, it is a good movie. From a technical standpoint, it is good, not bogging down with a plot that’s reasonably engaging. The new characters in particular stand out; Rey, Finn, and Poe are all great people who you can connect with. The original trilogy characters are likewise allowed their moments, without really overshadowing the newcomers.

The problem is that The Force Awakens tries too hard. It is obvious that this movie is playing off of nostalgia. It has been thirty years since the Battle of Endor, but everything sort of feels the same. There are X-Wings and Tie Fighters, there are Stormtroopers, the Millennium Falcon is still flying…somehow. The movie starts with a shot of a Star Destroyer, which four previous films (III through VI) did as well. For some strange reason there’s still a Rebellion, now called the Resistance.* Each of the original cast not named “Luke Skywalker” is given a very deliberate introduction meant to tug at our memories.Old Han and Chewbacca

The worst offender in all of this is the plot. While I did say before that it was well-executed, this does not excuse it from being lifted, largely, from the plot of A New Hope. The story starts with a violent attack by the Empire/First Order, then shifts to a humble main character on a desert planet accidentally stumbling upon a destiny greater than anything they imagined. The heroes travel to a hidden Rebel/Resistance base (mercifully after a second act that is actually different from that of Episode IV) where they learn about a new superweapon that can destroy entire planets. The third act then combines the second and third acts of ANH, where the heroes infiltrate the Death Star/Starkiller while a small fighter fleet faces overwhelming odds to end the threat.

On the one hand, Star Wars did return from a ten year hiatus from theaters. Creating a movie that is familiar is not an unwise decision. On the other hand, it so blatantly copies A New Hope, it barely qualifies as a new tale at times.

For the record, I am not trying to trash The Force Awakens. I still think it was a good movie. The problem is that it had its flaws, worse flaws than Rogue One had in some instances, yet there are people out there who think that Rogue One is substantially inferior. Perhaps it is not the greatest film of all time, but a bad film it is not.

Again, Rogue One had a lot more nostalgia bait than The Force Awakens, but it belonged there. Yavin IV and the Death Star, X-Wings and AT-STs, even Grand Moff Tarkin and Mon Mothma are all in the movie because they belong there. They aren’t thrust in there purely to tickle our fancy; their presence is natural in the setting. Sure, some elements, like not-Ackbar Admiral Raddus, AT-ATs, and the last ten (really cool) minutes of the film are obvious nostalgia plays, but most of it is not, or at least is not treated as such. For that, I think Rogue One deserves to be praised, rather than be cast out and spit upon like a heretic in a Vatican conclave.

The Last JediIf anything, my chief concerns are what The Last Jedi and next year’s Han Solo spinoff will look like. My earnest hope is that Disney will try to break away from the formula. The new films will grow stale very swiftly if they continue on the course of utilizing nostalgia and lifting plot elements wholesale from previous films. Even if such story-telling is working, it will only last for so long. The amount of criticism levied at Rogue One is already evidence that nostalgia is starting to lose its effect. Ensuring a stable and enduring legacy for the future of Star Wars demands creativity, even when following certain basic structures.

With Disney at the helm, Lucasfilm has so far managed to do a surprisingly good job of reviving Star Wars. Despite its popularity, it was hurt severely by George Lucas’ missteps in creating the prequels. What remains to be seen is if Star Wars will continue to be good, or if it will, due to a dearth of true creativity, sink into being “just another franchise.”

*Yes, I know that the Resistance was formed long after the Rebellion became the New Republic, it just seems a bit off at first glance that Leia would go rogue and form Space Hezbollah** to fight Space Nazi Germany.

**I’m not commenting on the nobility of actual Hezbollah one way or another.

The Clone Wars

It’s no secret I’m a total nerd; how do you think I ended up doing this show?  One of the nerd things I do regularly is think about Star Wars.

Sometimes I think about Star Wars too much.  When that happens, it (very rarely) comes out as a video.  One of those rare moments has finally come; I’ve decided to take a look at the Clone Wars.  Not the cartoon series, but as a plot element and an event within the Star Wars universe.

So many aspects of the prequel trilogy went wrong and I think it’s helpful to explore these elements.  Not only does it help us to recognize the problems present in the prequels, it also to deepen one’s understanding of what we’ve ultimately been given and even come to terms with it.  After all, whether we like them or not, we’re stuck with the prequels, flaws and all.

At any rate, enjoy my look at the Clone Wars: